Rukotvory, Ukrainian Folk Art Online, where some of the articles are now in English (many thanks, Rukotvory!). The website featured an interview with Volodymyr Kitselyuk, described as "an ordinary enthusiast from Hutsul region, a doctor by profession and an ethnographer by vocation." His love for his region in the mountains of western Ukraine has led him to two different projects. First, with a colleague, he has established a website with historic photographs from the region. He doesn't collect and store these photos. They go out into the villages with a computer and a scanner, scan the images and collect information. Volodymyr says:
We go from a house to a house asking for ancient photographs. As a rule, the main thing is to catch hold of something interesting, and then villagers start to send for each other or even see us to different people. We have a special formula for explaining people what we want from them. Since it is difficult to reach understanding in small mountain villages using such words as “Internet” and “scanning” and the people we deal with are often elderly women we simply say that we would like to take photos of their old photos for a museum. When people are sure we are not taking anything from them, they certainly help us with pleasure.The website, Hutsul Images, in both English and Ukrainian, has a beautiful design with photos organized by region. When asked if his efforts were supported by the state, he noted, "The experience shows that it’s much easier to directly communicate with people in villages than with the staffs of state bodies." Given the complicated history of western Ukraine, it's amazing that these photos survived and wonderful that they are now shared widely. It's also wonderful to see an initiative that's not a grand plan with many pronouncements and no support, but rather a small initiative that grows organically.
Ivan Honchar, whose private museum is now a public one in Kyiv. So the museum may someday have a more public component. But perhaps not.
As I read the article I wondered about the future. His efforts are similar to the way in which many museums begin, from a personal passion and interest. Would it be better if it eventually became a formal institution? or is it better to have a passionate commitment and then, if the commitment wanes and no one steps forward, for such an effort to decline? What's clear however, is that the online project will have a long life and that the eco-tourism effort will provide memories, and a link to a rapidly vanishing past, for those who visit (and I hope that includes me one of these days).
I'm sure many of those museums on the IRS list began with the same enthusiasm--for everything from railroads, fire engines, katydids, surfing and the unexplained (one actually was the Museum of the Unexplained). But something inevitably happens along the way. So if you're sitting at home contemplating starting a museum in the United States--be sure you check out this great publication from the Museum Association of New York, What Comes First: Your Guide to Building a Strong, Sustainable Museum or Historical Organization (With Real Life Advice from Folks Who’ve Done It). Consider whether your work is best done within a museum setting or in an individual way--does it need an institution to be meaningful or can a passionate individual or "tribe" commitment be enough? It seems that both passion and planning are both needed to make a project long-lived.